Showing posts with label Miss Peregrine's Home for Peculiar Children. Show all posts
Showing posts with label Miss Peregrine's Home for Peculiar Children. Show all posts

Sunday, 23 March 2014

Sunday Summary {Note to self: save at two-minute intervals...}

This week, I have mostly been:

Finishing | Miss Peregrine's Home for Peculiar Children by Ransom Riggs*

* Is this his real name?? Now, that's peculiar.


OK, OK, I admit, I did actually enjoy the book on the most surface of levels. It was an easy read, the story unfolded at a good pace, and there were enough peculiar children to keep me interested. Plus, the photos of the peculiar children and their guardians provided an interesting interposition.

***SPOILER ALERT***

However, there could have been more exploration of the peculiarity among the children. More crucially, the author (and his editor) could actually have spent a little more time appreciating how English children trapped in the 1940s might have spoken rather than transposing Americanisms into their dialogue. Case in point: one of the children says "gotten". No English child says "gotten" even today -- oh, except maybe in the context of "ill-gotten gains" but that's a very spurious example...

And, in the case of a final letter sent from (the English child) Emma to the protagonist Jacob's grandfather Abe, "honorable" is not the way we English spell "honourable". A little more care in editing might have been taken. Harrumph.

Still. It was a good yarn, and I recommend it.

I'm still ploughing merrily on with Caitlin Moran and learning How to Be a Woman. Her sister Caz sounds like a riot. And CM's diatribe on wearing heels? Yes. I'm with you. Flats and tap shoes all the way, baby.


Scouring | the book archives

On Thursday my work colleague (and former MoonWalk buddy) Charlotte and I took the train up to sunny Wellingborough to scour the company book archives for some forgotten gems to revitalise.

As you may have gleaned from my eyegasm-fest on Pinterest especially last week, I've become a little obsessed with vintage children's books and vintage Blyton editions.

The archives we visited are stacked with a century at least of the company's publishing history (by way of several amalgamations, dissipations and takeovers...!), and the hours Charlotte and I spent there were not nearly enough!

Forgive my ropey photography:


{That trippy cover! Love it.} 

Watching | The Book Thief

So, this was my Saturday night at the movies...

{We were early into the cinema. Honest... And it's a small local cinema.}

I read The Book Thief by Markus Zusak last year in the throes of working my way through a cannon of excellent WWII-centred literature (Sarah's Key, The Boy in the Striped Pyjamas, Rose Under Fire) and was enamoured of it instantly.

The central protagonist, Liesel, felt like a real little girl (albeit one cheating Death at every crossroads), and her relationship with her adoptive father Hans was beautiful to behold.


So, needless to say, I had great expectations of the film especially as Zusak himself had posted excitedly on FB on its progress for the last few months, and generally approving of the film adaptation at many stages, especially the casting. Highest praise, I think.

And, I loved the film.


Maybe it was a little slow and quiet in places, but then so was the book. But when the residents of 'Heaven Street' were hiding in the air raid shelter, and the very cinema we were in shook with the SFX, the fear -- dissipated only by Hans Hubermann's accordion-playing and later, Liesel's brave storytelling -- was palpable.

The performances were, as Zusak would also testify, just excellent. Sophie Nelisse is a profound actor and perfect as Liesel (she reminded me a little of My Girl-era Anna Chlumsky), and she matured believably as the film unfolded. She was light and shade, and the depiction of her relationship with Hans, and also the family's hidden visitor, Max, was just... well, I was frantically tearing into my tissue stash and snivelling audibly by the end of the film, let's put it that way. (Apologies to my friend Julie who was sitting gamely next to me!).

Geoffrey Rush is a huge and endearing presence as Hans, from the moment he coaxes young Liesel out of the car when she first arrives, then teaches her to read slowly but surely; and Emily Watson surprised me as Rosa -- I'll avoid too many spoilers but the scene where she visits Liesel at school had me weeping into my popcorn second bag of Mini Eggs as well.

The only tiny niggle I have comes with a very late scene between Liesel and her closest friend, Rudy -- again, no spoilers here but their last scene together bordered on slightly hurried kitsch. But it's a tiny niggle, truly.

And one scene topped them all -- Liesel entering the impressive library at the home of Burgermeister Hermann and her eyes widening at the sight of all those books. Oh. Yes. Books will have that effect on folk.

Writing again | like, with a pen, on paper

Because I needed to get me some writing done -- I've been neglecting my novel and my 30-minutes-a-day sprints. WAIL! Plus, I like my handwriting.

...Is that a bit vain?

{Witness: #wrelfie = writing selfie. There ya go.}

And now... drum roll please... this week's Interweb haul! You are welcome.*

* Actually, I have my workmates to thank for the first and last of these. (Thanks, Clare and Evie!) I've been too busy ogling vintage Blytons slack on this front this week so I'm afraid it's a small haul.

# Classic paintings meet Google Street View

# 8 People You Follow on Twitter but Shouldn't (I'm sharing this largely because this Spike/Buffy gif (under number 7) made me snort out loud)


# #swimmerproblems

{"If you're a female swimmer, not being able to shave for months on end." TRUE DAT.}
Also, this (Richard Herring can sympathise):

{Crowded lanes. THE HORROR.}

And finally, for those Book Thieves Hoarders among you, kindly covet this:

# Bibliochaise: A chair that can store 300 books


Right, I'm off to try to replicate this piece of salad artistry:

{via Salad Pride}

Laterz, 'taterz.

Sunday, 16 March 2014

Sunday Summary (second time lucky?)

Gotta love technology. I spent a good hour drafting this Summary, only to discover on clicking Publish that it hadn't been saving for, well, let's say 45 mins of that time.

Here's hoping you might get yourselves some full Summary action this time. (Wait, is that an oxymoron?)

So! This week, I have mostly been...

Reading | two books! Yes! Two at a time! I'm turning into my father.

This is what I'm reading during the day:


and during the evening (i.e. in the bath):


The only similarities between the two are the presence of a female, and a grey wash, on the covers.

I did have to smile at the opening paragraph of chapter 5 of How to Be a Woman, which echoed my sentiments precisely on clothes shopping as explored at length in my Contemplation.

...Personally, I find the idea that women are supposed to 'love' shopping bizarre -- nearly every woman I know wants to cry after 45* minutes of trawling the high street looking for a shirt, and hits the gin with alacrity upon the sad occasions where jeans have to be found. 
-- How to Be a Woman | Caitlin Moran

* they lasted that long? Really?

Also, who knew there were so many abundant terms for one's lady-bits? I do, now. And some descriptions still make me snort with laughter. Best I keep reading this at home, then. Follow Caitlin Moran on Twitter here.

Discovering | What Makes a Children's Classic?

On Thursday, workfriends Clare, Evie and I rocked up to this discussion organised by the Children's Book Circle. The panellists were author Kate Saunders, Waterstone's head book-buyer Melissa Cox and (my greatest reason for attending) journalist and author Lucy Mangan.

OK, the promise of marmalade sandwiches and ginger beer were also a pull.

The discussion opened with the three panellists nominating their favourite children's classics: Kate Saunders ventured Five Children and It (E Nesbit), the sequel of which she is currently working on; Lucy Mangan nominated The Secret Garden (Frances Hodgson Burnett) and the more contemporary Chaos Walking series by Patrick Ness. Melissa Cox cited Little Women (Louisa May Alcott -- the edition not including Good Wives!) as her favourite and thus endeared me to her for the rest of the evening. She also cited as her contemporary classic Dead Man's Cove (Lauren St. John) which has hints of Enid Blyton**.

  


 


I took notes. Because I'm a geek. And while I won't bore you with a full transcription I will surmise the salient points of what makes a children's classic:

-- Innovation plays a key part in making a classic

-- Classics provide a circle of safety, a point of entry into a protected, magical world

-- In a saturated market, nostalgia endears an adult to a classic and inspires them to pass the book down to their own children

-- Many of what we term 'classics' hail from the Victorian/Edwardian era (although the three panellists also agreed that The Worst Witch, now 40 years old, is also a classic -- this agreement made me want to marry all three of them.)


-- There is a finite pool of children's books we can genuinely call 'classics'

-- Overall a classic is an exciting story and provides pure escapism. And it has to be well written. "Quality will win out," Kate Saunders rightly said.

You can also get a gist of how the discussion went down from the CBC's Twitter feed from the night, here.

** The only point I disagreed with was that Enid Blyton wasn't considered good enough to be a classic author -- yet her works still sell and are in demand by today's children.

Watching | The In-Betweeners

I identify all too closely with Will. 'Nuff said.



Reminiscing and Pinning

I've spent a lot of time on Pinterest this week, and I've set up a small cluster of boards that I keep going back to ogle, namely this one:

Acceptable in the 80s

It's a veritable feast for the nostalgic eyes of little tidbits from my childhood that other people of my generation have pinned. And it's brought back so many tiny little memories!

For instance:

That blood pressure monitor could really cut off your circulation.
But I remember that the stethoscope actually worked pretty well for a toy!
Look at the detail in that artwork!
And because I am a huge book geek I'm also pinning to a Vintage Ladybird Book pinboard via my work Pinterest account:

 

a vintage children's book pinboard:


and a vintage Enid Blyton book pinboard:


Who were the Saucy Jane family? The mind boggles.

And in the spirit of reminiscence, I also caught up with some ol' workmates earlier this week. The memories -- and vino -- did flow. Top night. Not even blighted by me leaving my purse in the restaurant. Like a drunken eejit twit.

And finally...

Baking

Yep. Made lemon drizzle cakes from a recipe in issue 21 of The Simple Things.

Actually, factually, nailed it.




Right, well, if Blogger allows me to, this time, I shall share with you this week's Interweb Links:

# Arnau Oriol's Commuter photo series


© Arnau Oriol

# Vivienne Rickman-Poole's #30daysofswimming photo series


© Vivienne Rickman-Poole

# Richard Herring tackles swimming etiquette again (and I love him for it)


# How many classic books have you read? Take the challenge!

# A recent Booktrust study reveals a reading divide

# Publishers respond to gender debate on children's books

# The Great British Bookshop opens online -- also read here

# One-Letter-Different Book Covers [Warning: Involves some naughtiness!]




(You got the message about me being a big book geek, right?)


# Couply adverts make singletons bitter

# Rent this mad, mad converted coastguard lookout house in Dungeness


[found via http://yourhomeislovely.blogspot.co.uk]
 

[All photos of coastguard lookout by Peter Marlow | Magnum]

And finally...

# (With thanks to Evie) Replace the jaded ol' Hollywood sign with your own name. Vast improvement. Trust me.



TTFN!